{"id":70,"date":"2014-10-13T17:35:21","date_gmt":"2014-10-13T13:35:21","guid":{"rendered":"http:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/?p=70"},"modified":"2014-10-14T19:23:17","modified_gmt":"2014-10-14T15:23:17","slug":"les-objets-surrealistes","status":"publish","type":"post","link":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/?p=70","title":{"rendered":"Les objets surr\u00e9alistes"},"content":{"rendered":"<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">1. le ready-made<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">En 1913, Marcel Duchamp (1887-1968), peintre proche des surr\u00e9alistes, invente le ready-made en faisant d&#8217;un simple objet une \u0153uvre d&#8217;art.<!--more--> Le plus connu est la fameuse\u00a0\u00ab\u00a0Fontaine\u00a0\u00bb qui donne \u00e0 voir autrement un simple urinoir renvers\u00e9.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" alt=\"\" src=\"http:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/f\/fa\/Fontaine_Duchamp.jpg\/280px-Fontaine_Duchamp.jpg\" width=\"325\" height=\"256\" border=\"0\" \/> <\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">\u00ab\u00a0Fontaine\u00a0\u00bb, 1917, Duchamp<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">2. objets f\u00e9minins <\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Les objets f\u00e9minins, jarreti\u00e8re, chaussure, gant, r\u00e9currents dans les \u0153uvres surr\u00e9alistes, traduisent l&#8217;importance de la femme et sa sensualit\u00e9.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" alt=\"\" src=\"http:\/\/fr.wahooart.com\/Art.nsf\/O\/8EWLPJ\/$File\/Max-Ernst-Vive-l_amour-Le-Pays-Charmant-.JPG\" width=\"251\" height=\"385\" align=\"BOTTOM\" border=\"0\" \/><\/p>\n<p style=\"text-align: center\">\u00ab\u00a0Vive l&#8217;amour\u00a0(Le pays charmant) \u00bb, Max Ernst<\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Les objets, f\u00e9minins en particulier, lib\u00e8rent les fantasmes cach\u00e9s, refoul\u00e9s par la soci\u00e9t\u00e9. Ils permettent l&#8217;expression du d\u00e9sir, et de l&#8217;inconscient \u00e9tudi\u00e9 par Freud (1856-1939), p\u00e8re de la psychanalyse.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">3. objets temporels<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Objets modernes symbolisant la soci\u00e9t\u00e9 occidentale viennent s&#8217;opposer aux objets ethniques renvoyant \u00e0 des soci\u00e9t\u00e9s primitives, diff\u00e9rentes.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" alt=\"\" src=\"http:\/\/mediation.centrepompidou.fr\/education\/ressources\/ENS-dali\/photos\/07-dali-le-telephone-aphrodisiaque-1938-200x151.jpg\" width=\"200\" height=\"151\" align=\"BOTTOM\" border=\"0\" \/> <\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">\u00ab\u00a0Le t\u00e9l\u00e9phone aphrodisiaque\u00a0\u00bb, 1938, Salvador Dali<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter\" alt=\"\" src=\"http:\/\/lecturescroisees.e.l.f.unblog.fr\/files\/2010\/05\/noireetblanche19261.bmp\" width=\"389\" height=\"258\" align=\"BOTTOM\" border=\"0\" \/> <\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">\u00ab\u00a0Noire et blanche\u00a0\u00bb, 1926, Man Ray<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">L&#8217;artiste surr\u00e9aliste, tel Man Ray dans le dessin \u00ab\u00a0Objets\u00a0\u00bb, recherche l&#8217;incongruit\u00e9\u00a0: il associe les objets les plus divers de mani\u00e8re provocante afin de d\u00e9clencher le choc de la surprise et de faire p\u00e9n\u00e9trer le spectateur dans un monde merveilleux o\u00f9 l&#8217;impossible existe.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">4. \u00eatres-objets<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Mi-objets inanim\u00e9s, mi-\u00eatres vivants, les mannequins (chez Dali et Chirico, par exemple) et poup\u00e9es inqui\u00e8tent et interrogent le spectateur sur ce qui fait la nature humaine.<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">L&#8217;artiste surr\u00e9aliste proc\u00e8de \u00e0 une m\u00e9tamorphose po\u00e9tique du quotidien. En effet, l&#8217;objet est d\u00e9tourn\u00e9 de sa fonction premi\u00e8re\u00a0: on aboutit \u00e0 la cr\u00e9ation d&#8217;un nouvel objet associant \u00e9l\u00e9ment r\u00e9el et \u00e9l\u00e9ment r\u00eav\u00e9. Enfin, on peut d\u00e9passer les apparences et acc\u00e9der au surr\u00e9el.<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">A votre tour\u00a0de transformer le monde\u00a0!<\/span><\/span><\/span><\/p>\n<p><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Comme Duchamp, Man Ray ou Dali, choisissez un objet banal que votre pr\u00e9sentation devra transformer.\u00a0<\/span><\/span><\/span><span style=\"color: #000000\"><span style=\"font-family: 'Times New Roman', serif\"><span style=\"font-size: medium\">Envoyez-moi pendant les vacances une photo de votre travail, qu&#8217;il soit dessin ou photo&#8230;<\/span><\/span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"bawpvc-ajax-counter\" data-id=\"70\"> (1061)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. le ready-made En 1913, Marcel Duchamp (1887-1968), peintre proche des surr\u00e9alistes, invente le ready-made en faisant d&#8217;un simple objet une \u0153uvre d&#8217;art. (1061)<\/p>\n","protected":false},"author":55,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[3],"tags":[19,17,18,7,16,20,8],"_links":{"self":[{"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/posts\/70"}],"collection":[{"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/users\/55"}],"replies":[{"embeddable":true,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=70"}],"version-history":[{"count":4,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/posts\/70\/revisions"}],"predecessor-version":[{"id":75,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=\/wp\/v2\/posts\/70\/revisions\/75"}],"wp:attachment":[{"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=70"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=70"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/portail.lapossession.ac-reunion.fr\/wordpress\/blogtl-2014\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}